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 The Parisians
It was a bright day in the early spring of 1869. All Paris seemed to have turned out to enjoy itself. The Tuileries, the Champs Elysees, the Bois de Boulogne, swarmed with idlers. A stranger might have wondered where Toil was at work, and in what nook Poverty lurked concealed. A millionaire from the London Exchange, as he looked round on the magasins, the equipages, the dresses of the women; as he inquired the prices in the shops and the rent of apartments,—might have asked himself, in envious wonder, How on earth do those gay Parisians live? What is their fortune? Where does it come from?
As the day declined, many of the scattered loungers crowded into the Boulevards; the cafes and restaurants began to light up.
About this time a young man, who might be some five or six and twenty, was walking along the Boulevard des Italiens, heeding little the throng through which he glided his solitary way: there was that in his aspect and bearing which caught attention. He looked a somebody; but though unmistakably a Frenchman, not a Parisian. His dress was not in the prevailing mode: to a practised eye it betrayed the taste and the cut of a provincial tailor. His gait was not that of the Parisian,—less lounging, more stately; and, unlike the Parisian, he seemed indifferent to the gaze of others...
 

 Alice, The Mysteries
It was towards the evening of a day in early April that two ladies were seated by the open windows of a cottage in Devonshire. The lawn before them was gay with evergreens, relieved by the first few flowers and fresh turf of the reviving spring; and at a distance, through an opening amongst the trees, the sea, blue and tranquil, bounded the view, and contrasted the more confined and home-like features of the scene. It was a spot remote, sequestered, shut out from the business and pleasures of the world; as such it suited the tastes and character of the owner.
That owner was the younger of the ladies seated by the window. You would scarcely have guessed, from her appearance, that she was more than seven or eight and twenty, though she exceeded by four or five years that critical boundary in the life of beauty. Her form was slight and delicate in its proportions, nor was her countenance the less lovely because, from its gentleness and repose (not unmixed with a certain sadness) the coarse and the gay might have thought it wanting in expression. For there is a stillness in the aspect of those who have felt deeply, which deceives the common eye,—as rivers are often alike tranquil and profound, in proportion as they are remote from the springs which agitated and swelled the commencement of their course, and by which their waters are still, though invisibly, supplied...

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