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The
Europeans
A narrow grave-yard
in the heart of a bustling, indifferent city,
seen from the windows of a gloomy-looking inn,
is at no time an object of enlivening suggestion;
and the spectacle is not at its best when the
mouldy tombstones and funereal umbrage have
received the ineffectual refreshment of a dull,
moist snow-fall. If, while the air is thickened
by this frosty drizzle, the calendar should
happen to indicate that the blessed vernal
season is already six weeks old, it will be
admitted that no depressing influence is absent
from the scene. This fact was keenly felt on a
certain 12th of May, upwards of thirty years
since, by a lady who stood looking out of one of
the windows of the best hotel in the ancient
city of Boston. She had stood there for half an
hour—stood there, that is, at intervals; for
from time to time she turned back into the room
and measured its length with a restless step. In
the chimney-place was a red-hot fire which
emitted a small blue flame; and in front of the
fire, at a table, sat a young man who was busily
plying a pencil. He had a number of sheets of
paper cut into small equal squares, and he was
apparently covering them with pictorial designs—strange-looking
figures. He worked rapidly and attentively,
sometimes threw back his head and held out his
drawing at arm’s-length, and kept up a soft,
gay-sounding humming and whistling. The lady
brushed past him in her walk; her much-trimmed
skirts were voluminous. She never dropped her
eyes upon his work; she only turned them,
occasionally, as she passed, to a mirror
suspended above the toilet-table on the other
side of the room...
 Roderick
Hudson
Mallet had made his arrangements to sail
for Europe on the first of September, and having
in the interval a fortnight to spare, he
determined to spend it with his cousin Cecilia,
the widow of a nephew of his father. He was
urged by the reflection that an affectionate
farewell might help to exonerate him from the
charge of neglect frequently preferred by this
lady. It was not that the young man disliked
her; on the contrary, he regarded her with a
tender admiration, and he had not forgotten how,
when his cousin had brought her home on her
marriage, he had seemed to feel the upward sweep
of the empty bough from which the golden fruit
had been plucked, and had then and there
accepted the prospect of bachelorhood. The truth
was, that, as it will be part of the
entertainment of this narrative to exhibit,
Rowland Mallet had an uncomfortably sensitive
conscience, and that, in spite of the seeming
paradox, his visits to Cecilia were rare because
she and her misfortunes were often uppermost in
it. Her misfortunes were three in number: first,
she had lost her husband; second, she had lost
her money (or the greater part of it); and third,
she lived at Northampton, Massachusetts.
Mallet’s compassion was really wasted, because
Cecilia was a very clever woman, and a most
skillful counter-plotter to adversity. She had
made herself a charming home, her economies were
not obtrusive, and there was always a cheerful
flutter in the folds of her crape. It was the
consciousness of all this that puzzled Mallet
whenever he felt tempted to put in his oar. He
had money and he had time, but he never could
decide just how to place these gifts gracefully
at Cecilia’s service. He no longer felt like
marrying her: in these eight years that fancy
had died a natural death. And yet her extreme
cleverness seemed somehow to make charity
difficult and patronage impossible...

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